本文以本雅明早期的翻译哲学为理论框架，探讨保罗·奥斯特翻译法国诗歌与理论作品的经历如何深刻影响了其代表作《纽约三部曲》的创作。他通过翻译逐渐体悟到语言、意义与沉默之间的复杂互动，并形成了其作品中独特的语言意识与哲学主题。本文旨在揭示奥斯特作为作家兼译者的双重身份如何推动其文学风格的生成，并论证翻译与创作之间的互通性，最终说明翻译对于奥斯特的文学生涯而言，是其探索语言本质与开拓创作空间的重要途径。

Drawing on Walter Benjamin’s early philosophy of translation as its theoretical framework, this paper examines how Paul Auster’s experience of translating French poetry and theoretical works profoundly shapes the composition of The New York Trilogy. Through the practice of translation, Auster develops a deepening awareness of the complex interplay among language, meaning, and silence, which gives rise to the distinctive linguistic consciousness and philosophical preoccupations that pervade his fiction. This paper illustrates how Auster’s dual identity as writer and translator contributes to the formation of his literary style, and argues for the intrinsic interconnectedness between translation and original creation. It ultimately demonstrates that translation serves as a crucial means through which Auster interrogates the nature of language itself and expands the possibilities of literary expression through his literary career.