Most translation versions of Rubaiyat of Omar Khayyam in Chinese classical verse style adopt the strategy of domesticating translation. By comparing & contrasting examples in HUANG Kesun’s, SUI Qian’s and ZhONG Jin’s seven-character-quatrain versions of Rubaiyat of Omar Khayyam, this paper shows a new perspective provided by translators who apply writing skills of classical Chinese verses into translation on the theory of domesticating translation. By removing SL REALIA, domesticating translation can inevitably lead to heterogeneity between the ST and TT. However, based on the requirement of translation consistency, the heterogeneity between the ST and TT is included in one principle, thereby creating a unique aesthetic perception. The aesthetic perception shares the common attributes with poetics of Jiangxi Poetry School. By analyzing the common attributes, this paper provides a new angle of interpretation of domesticating translation theory.